Here are a lot of very technical descriptions going around on how to take great silhouette shots that you might want to look up but let me attempt to run through some basic steps that should get you the results you’re after. In essence what we’re trying to do is make your camera think that it’s the bright parts of the picture you are most interested in. Read the rest of this entry ».
Related Photography Ideas for light at OneSlidePhotography.com
There is one feature in the average pocket camera that you should avoid the usage of: the digital zoom. Why? Here is the explanation: Usually, a pocket point-and-shoot camera is equipped with lenses that have two zoom capabilities: optical and digital zoom. When you use the optical zoom, the optic glass component inside the lens […]
Shutter Count is the threshold of how long a camera can be used (how many times the shutter can be triggered). Each type of camera usually have different shutter count limits. For instance, a pro-series camera an average of 500K shutter counts. Entry levels has an average of 300K.
No, that’s not a toy you’re seeing, it’s a real, working camera, complete with Micro-SD storage up to 32 gigs.The Mame-Cam is a fully functioning ultra tiny camera that can take still images and video. Created by Thanko, a Japanese company, the Mame-Cam utilizes a microSD card to store all of its data. Small enough […]
In Selective Color Photography Using Adobe Photoshop part 1 and part 2, I’ve explained how to achieve a selective color photograph using masking and using hue and saturation settings. In this 3rd part, I will show you how to create a selective color photograph using the “COLOR RANGE” feature on Adobe Photoshop. 1. The first […]
A camera tripod is an important investment. The reasons for using a tripod are many: shooting in low light, shooting with smaller apertures in bright light, shooting time-lapse sequences, shooting self-portraits…and on and on. These are just some of tips and tricks that might come up as you look into buying a new tripod.
So you wanna be a cycling photographer? Sure, it looks like a cool job (it is!), but if you think the magazine editors will line up to buy your poorly cropped, badly lit, blurry shots of the back end of the pack… think again. If you’re standing along the route of a bicycle race and […]
A short while ago, I’ve made a post explaining the meaning in different Sigma lens codes. Now, in this post, I’ll explain the meaning codes for Tamron and Tokina lenses. They are as follows: Tamron Lenses Di – Digitally Integrated. Lenses with this code has a coating optimized for digital cameras. Di-II – This is […]